最后的面具

自我厌恶的老杀手基尔(50岁)，在最近的一起谋杀案中，他的任务是杀死一名能指证他和他的搭档帕尔默(30岁)的目击者。基尔很快了解到他的新目标，佩顿(20岁)，可能是他疏远的女儿。矛盾的是，基尔认为他不能扣动扳机，直到他确定，所以他绑架佩顿，试图保护她从他的疯狂伙伴。基尔躲在一个安全的房子里，等待佩顿的朋友兼中间人伊莱(50岁)的亲子鉴定结果。但与佩顿相处的每一分钟都是基尔从未设想过的挑战:她不合作，不领情;事实上，她和基尔一模一样。现在，在帕默努力寻找他们的时候，基尔挣扎着承担起让她活着的父母的新责任。不管她是不是他的女儿，她的行为就像他最讨厌的那个人的一模一样:他自己。

A self-loathing ,aging hitman, Keele (50s), is tasked to kill a witness who can finger him and his partner, Palmer (30s), in a recent murder. Keele soon learns his new mark, Peyton (20s), might be his estranged daughter. Conflicted, Keele figures he can’t pull the trigger until he’s certain so he abducts Peyton in an attempt to protect her from his maniacal associate. Holed up in a safe house, Keele waits for Peyton’s paternity test results from friend and fixer, Eli (50s). But every minute spent with Peyton is a challenge Keele never envisaged: she’s uncooperative, unappreciative; an unrelenting pain in his ass. In fact, she’s exactly like Keele. Now, as Palmer works to track them down, Keele struggles with this new parental responsibility of keeping her alive. Whether she’s his daughter or not, she acts like a carbon copy of the person he hates the most: himself.